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Communion

by Sister Ray

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $10 CAD  or more

     

  • Record/Vinyl + Digital Album

    Limited pressing of Sister Ray's debut album. Pressed on black gatefold vinyl, limited to 1000 units.

    Includes unlimited streaming of Communion via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 14 days
    Purchasable with gift card

      $25 CAD or more 

     

  • Compact Disc (CD) + Digital Album

    Limited edition CD of Sister Ray's debut album

    Includes unlimited streaming of Communion via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 14 days
    Purchasable with gift card

      $12 CAD or more 

     

1.
Violence 04:15
Can you feel your violence? Can you feel your violence or does it only touch me? Are you hearing the silence? Are you hearing the silence you breed you’re dug deep in my belly I thought we’d agreed no babies Saw a crow out dead on the road and I thought of you when I told you that I knew I’d be going soon Caught a glimpse inside of his eyes and they looked like yours the last time and you smelled like death and lager then I said should you really be driving with the shape you’re in Then it crossed my mind that I should join him on the highway line bury me under the exit sign and be absolved Of everything all at once That’s what I want Can you feel your violence? Can you feel your violence or does it only touch me Are you hearing the silence Are you hearing the silence you breed you’re dug deep in my belly I thought we’d agreed no babies Made it to my destination Trying to placate all of your questions I orchestrate the silence out It’s so predictable that I’m sardonic and proud of my misuse of myself I know it freaks you out I can’t help myself When it turns you on and turns me inside out Are you feeling the violence? Can you feel your violence or does it only touch me Are you fearing the silence Are you fearing the silence you breed you’re dug deep in my belly I thought we’d agreed no babies
2.
Good News 02:46
My brother calls me in distress looking for another breath say I’ve only got one left in the pack Says I’m calling from a bloody bed don’t worry I think that’s all of it and Death enters Head back to the house where he said it all went down the lights are on the ground now But to tell you the truth out loud I didn’t have the heart to hear the sounds Death was all around We don’t live there now we reminisce about the sweet smells all the ones we tucked in the breast of our blouse Like deep snow in December first cigarette of summer bannock in the oven But can you imagine a crowd? Would you imagine a crowd around you now? In front of all the people My cousins call out in the winter what I wish I could give them but there’s no pedigree when we’re half breeds Have you at least heard the good news they said we will save you Death meanders around the room I have this dream I can’t feel anything I guess it’s more a fantasy But can you imagine a crowd? Would you imagine a crowd around you now? In front of all of the people In front of all of the people In front of all of the people
3.
Visions 03:33
Who did you really love in the basement getting fucked up Who cares now? We’re moving out selling the couch split the money then I’ll split town You can take the christmas tree all I want is the joint you owe me and the bedsheets I want to sleep comfortably I’ve been having visions of you sleeping in them, I can’t open the door to wake you up I’m just waiting in the space between us I’ve been having visions of us Now I’m going through the motions same way same place that I did Remember back when you were one of them You could call it crawling back I would say I’m devotional to lust like that You’re so emotional when I need skin on skin contact I’ve been having visions of you sleeping in them, I can’t open the door to wake you up I’m just waiting in the space between us I’ve been having visions of us I’ve been having visions of us Tell me was it my compersion No, it wasn’t that tell me then what’s happening Could you at least ululate with words then and tell me all about everything you said all about your visions
4.
I wanna be your man I wanna be the one that you call I do for only you I wanna be a helping hand so take me to New York again while I’m beckoning I’m begging now asking out for only you If only you would give me I would give you everything If only you would ask me I would tell you everything I’m begging now I’m asking out for only you The only one that i saw through the mess you made You want to start again I wanna be your man be a very good apostle reach in deep inside for your tonsils Maybe there then I would find only you I wanna take you dancing Move around to Jackie Shane again like when I took your hand in the kitchen and there it was only you and me in my mind All I wanted was a picture of us for when i’m too tired to remember what i looked like on fire begging for you and only you
5.
Reputations 03:35
You are an infinite distance from where we started and where I finished I guess it’s all in the point of your perspective From mine I’m at the finish line dancing on my own again Ya I’m so selfish You always said you’d give me something to sing about Was that a promise or a threat? It doesn't matter now Could’ve found it all out by reading all the books you read your pauses in the commas man you’re so good at reciting it Ya I’m so selfish But every time we talk I lose the feeling Think you lost enough yet to finally get out of it? Every time we talk I lose the feeling Think you lost enough to finally get out of it to finally quit it All our friends say this city is like a speed trap They catch you when you’re running late and trying to beat traffic Do you think you’ll ever find a way out of it? all of your shortcuts seem to take you to the start again I’m so selfish then But every time we talk I lose the feeling Think you lost enough yet to finally get out of it? Every time we touch I get the feeling Think you lost enough I’ll finally get out of it To finally quit it Until all of our friends see that’s something’s wrong I can keep quiet we can call it a draw Keep your reputation for when you really need it Say your hearts breaking and it’s all my fault Babe, you beat me to it, couldn’t even call? Keep your reputation for when you really need it Keep your reputation for when you really need it Keep your reputation for when you really need it
6.
Justice 02:50
Waters rising, there’s a baby here Would somebody close their ears they have a lifetime to live in fear Me I’ve just been hiding Give me money I won’t ever need more than I have ever seen I’m just like everybody to think that I’m exempt in greed Do I seek justice or merely my own comfort? Do I see justice or merely my own comfort? Do I seek justice or merely my own comfort? Fighting battles from another’s bed All I really wanted was rest Couldn’t do enough to earn my bread I was complicit I just wanna make my body clean Let the water wash over me I don’t mind the burning if it makes me pristine Do I seek justice or merely my own comfort? Do I seek justice or merely my own comfort? Will I seek justice or merely my own comfort? Will I seek justice or merely my own comfort?
7.
I’m uglier now than I’ve ever been while you’re tracing fingers all over my skin I’m finding it hard to find optimism after everything that’s been said But I wouldn’t want to take it all back I’m a monogamous daughter with the face of my dad Watching his eyes dart between you and all I can’t have and then he laughs haha We had a party once Everybody showed up You were busy bleeding white Christmas on Halloween Wanted to show off the mask that I’d worked on I’d finally covered up the wanton woman haha But it’s a no-good disguise for me Almost kissed her while you were sleeping No, I know it’s not laughing business Almost kissed her while you were sleeping in the next room dreaming of a veiled lady funny, she looks a lot like me haha
8.
Power 03:35
Your apartment smelled like cigarettes from the second I got in your bed I’d watch the cars from the balcony while you tried to look at me But I was just looking for power then Couldn’t stand to look at your face Invite me out to meet your friends what was his name Well I was inconsiderate at best I was inconsiderate at best I was just looking for power then I was just looking for power then Until I put my head upon your chest bare besides my hair kept in crisis and I couldn’t listen you put back puzzle pieces while I faked rest until you left And I would lie with my eyes stuck on the ceiling I was just looking for power then I was just looking for power then
9.
Crucified 03:03
Goddamnit I should have been sleeping by now so hard when I know you’ll touch me when the lights go out I wanna kiss you on the forehead but your shoulders so much closer to my mouth now let’s try to go sleep stare at the stars on your ceiling Left from the kid before you while you try to keep your nose from bleeding I watch those silly green things until I hear your settled heavy breathing Only took you three days in the Queen of the City to get you talking on the telephone drunk and silly Dylan says that means that you’re very sweet but it just sounds like you’re so far away from me But if anybody’s gonna get crucified I want it to be me tonight Honey, I swear I’m fine If I’m singing all my gospel to a hundred praises then I’ll take the fine and I’ll take the blame It’s on me this time But if anybody’s gonna get crucified I want it to be me tonight Honey, I swear I’m fine If I’m singing all my gospel to a hundred praises then I’ll take the fine and I’ll take the blame It’s on me this time Do you see what I could do you 1000 times over the course of a year or two I know everything must die You forget it when the pleasure comes every time You can forget it until I light everything on fire
10.
Prophecy 05:07
I first saw the shadows in your mouth on a night out hard to imagine now I know you love the crowds never say it out loud You want everyone to want you but now you’re in exile on the couch Sleeping in your best dressed thinking that’ll get you back to bed Not on a night like this When you left me wasting away by the window yet you come and ask me for relief As if it’s not me who has been in heat since I faked it just to get you out of me What if it’s stinging nettle that’s the remedy Pain is cured with equal suffering what determines destiny Always bound to be I don’t want to believe But I wake in a strange pain prognosis online tells me I’m gonna die for real this time I conceal malaise I cum quick to ease the aches I sweat through the sheets while you were on soma holiday You’re an American dream a fraught fantasy visions in the stars on your ceiling When you left me wasting away by the window yet you come and ask me for relief As if it’s not me who has been in heat since I faked it just to get you out of me What if it’s stinging nettle that’s the remedy Pain is cured with equal suffering what determines destiny Always bound to be

about

What does it take to not only become unburdened by your past, but to embrace its many contours? Sister Ray, the project of Edmonton-born songwriter Ella Coyes, was conceived out of necessity; a self-designed vehicle built to examine trauma with unflinching honesty. Armed with a voice that soars and scrapes in equal measure, Coyes converts first-person recollections of big, complicated love into universally potent allegories. The result is an unyielding, spacious, and commanding form of indie rock, rooted in the folk tradition, that transforms unvarnished, interior reflections into a generous public offering.

Born and raised on the expansive prairies of Sturgeon County, Sister Ray’s music is steeped in a wide range of cultural influences. With gospel bluegrass and 90’s country playing in the background of their youth, it was the traditional Métis music played at home that not only brought them closer to their heritage, but taught them a form of storytelling rooted in collective value, resilience, and safety. Through the existential questions that came with examining contradictory identities, Coyes came to understand music’s ability to archive personal histories while also unpacking overwhelming emotions with the support of a community.

In high school they started booking tours during summer break, playing wherever they could, and developing an intricate, painstaking approach to songwriting. As their taste evolved, Coyes began to devour music across all genres, obsessing over the songwriting of Loudon Wainwright III, the eerie space of Do Make Say Think, the hard hitting hooks of mid-western emo like American Football, and the ascending vocals of Jeff Buckley. Walking on stage armed with only the shape of a song in hand, and an experience they wanted to memorialize, Coyes engineered a style of “conversational” music. Over months, sometimes years, songs were reworked on stage each night. Through improvised sets and repetition that relied on feedback from the audience to guide the direction of the show, Sister Ray invited their music to evolve — writing songs that touched on generational trauma and interpersonal violence, with lyrics that dissected guilt, obligations, and freedom as a way to heal from the inside out. “I feel like the music exists in its truest form when it's being witnessed,” Coyes says. “The witnesses are participants in revealing what’s being communicated.”

Communion, the debut album by Sister Ray, is a raw, meticulously-crafted portrait of momentous, ordinary moments; experiences that define your past, and instruct how you move through the world. It’s also a break-up album invested in exploring the motivations behind actions, rather than attempting moral judgment. It’s about “shitty shit” says Coyes. Backed by Ginla, the Brooklyn based duo behind early Adrianne Lenker (Big Thief) and Lorely Rodriguez (Empress Of), Communion is anchored by guitar melodies that bear an undercurrent of turmoil and echoes with the wisdom of hard-won lessons. “While writing Communion, I was exploring my identity in a way that involved grief and insecurity”, says Coyes. “These songs were written with liberation in mind.”

credits

released May 13, 2022

Vocals by Ella Coyes
Instruments played by Jon Nellen, Joe Manzoli and Ella Coyes
Additional players: Ben Whiteley (Bass on "Jackie In The Kitchen")

Producer: ginla (Joe Manzoli & Jon Nellen)
Engineer: Joe Manzoli & Jon Nellen
Mixer: Mike Darolfi
Masterer: Elisa Pangsaeng

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Sister Ray Toronto, Ontario

sad songs

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